Tuesday, June 24, 2008

Grace is Gone

This is one of the saddest movies I've seen in a long time. I'll be the first to admit that it's also one of the sappiest and cheesiest. It came and went under the radar in late 2007. I had been excited about it (as it was on my top 20 for the rest of the year entry last September). I forgot about it, however, due to poor marketing, and its extremely limited release of 7 theaters. The movie deals with the difficult situation military families are put in. As opposed to the other recent Iraqi War movie, Stop Loss, which presented a gritty soldier's point of view, Grace is Gone focused entirely on those left behind.

The movie revolves around Stanley Phillips (John Cusack), who's wife, Grace is fighting in Iraq. Near the beginning of the movie, the inevitable knock on his front door comes, notifying him that Grace has been killed. He not only has to cope with this news, he also has to break it to his two young daughters Heidi (Shélan O'Keefe) and Dawn (Gracie Bednarczyk), who appeared to be 13 and 8 respectively. The problem is only compounded by his inability to communicate with them (seriously, what father knows what to say to a pre-teen girl?) Stanley handles this issue the only way he knows, by not telling them. Instead, he takes them on a road-trip to an amusement park, while he tries to sot through his own emotions before telling the girls.

John Cusack is one of my favorites. Last year alone he wowed in the one-man thriller 1408, and was one the only saving graces in Martian Child. This time, however, he wasn't dragged down by his child co-stars. Both O'Keefe and Bednarczyk were wonderful. Heidi's muted enthusiasm, and guarded emotions reflect a young teenager going through those changes. Her character is every bit as complex as Stanley. She struggles with trusting her emotionally distant father, while knowing that something is wrong. Dawn, on the other hand, displays the unrestrained emotions common with a young girl.

There's nothing surprising about this movie. It turns up the emotion from the support group opening all the way to the silent musical ending. Stanley is a character that you will most certainly not agree with. His brother (Alessandro Nivola) sums it up concisely in one scene when he says "You're going to screw up those girls," when he hears about Stanley's amusement park plan. As much as we may not like him for keeping this from his daughters throughout the movie, we can at least appreciate the difficulty he's going through.

Some of the best scenes are Stanley alone, talking to his answering machine just to hear Grace's voice. These are when he finally lets his guard down and is at his most vulnerable. What is nice about this movie is that it doesn't have the obvious anti-war undertones that could so easily pushed. Stanley is never angry about what happened, possibly because of the almost too convenient fact that he was a former soldier himself.

As I've tried to make clear, the movie was rather cheesy, and fairly obvious- but somehow that really worked. They didn't try to be anything deeper than a simple emotional journey of a grieving husband. I would compare it to Love Story. It's a movie that oozes sap, but I challenge you to watch it without getting teared up.

4/5

Monday, June 23, 2008

George Carlin

George Carlin
1937-2008

One of the most influential and offensive comedians of all time.

article

Sunday, June 22, 2008

The Incredible Hulk

Let me preface this by saying that I'm not a huge fan of The Hulk. Never read the comics, never liked the show aside from the campy value, and absolutely hated Ang Lee's version. With all that in mind, this movie wasn't as bad as it could have been. Unlike the home-runs of Iron Man and what Dark Knight promises to deliver, The Incredible Hulk can be looked at as anything more than a simple action movie.

The movie starts out with a little background on how Bruce Banner (Ed Norton) became the Hulk: a gamma ray explosion caused by a self-induced experiment gone awry. We find Banner six months later hiding from the government in South America. In my favorite scene he's working in a bottling factory. They poke fun at the Hulk tradition as his infamous "Don't make me angry, you wouldn't like me when I'm angry." Unfortunately, he's speaking Spanish and replaces "angry" with "hungry"- much to the confusion of the person he's sparring with.

The government manages to track him down, and General Ross (William Hurt) and Emil Blonsky (Tim Roth) are on his trail. Banner begins corresponding with a scientist, Samuel Sterns (Tim Blake Nelson), in hopes of finding a cure. This results in the army tracking him down, coming to a head in a series of showdowns. Culminating when Blonsky himself takes a serum to become a sort of Hulk- an Abomination. This leads to the epic battle so prevalently featured in the trailers.

The action scenes were orchestrated great, but they were so overdone- especially the last one. I understand that this is part of the point, but it reminds me of one of those cheesy Power Rangers battles. The Hulk in this movie looked much grittier and more menacing than in the previous one, and he didn't suffer from extreme variations in size the plagued Lee's version.
Even so, it still felt a bit cartoony.

The acting wasn't great. Ed Norton, as always delivers, but Roth, Hurt, and Liv Tyler (playing Betty Ross- Banner's love interest and General Ross' daughter) seemed bored through the whole thing. There was virtually no chemistry between Norton and Tyler. The only character that has any sort of depth anyway is Banner. He has to wrestle to keep his anger under control, yet utilize the Hulk's power. In this version it's simply having his heart rate jump above a certain speed that will result in a transformation. This includes a humorous sex(ish) scene.

The saving grace to this movie is the light-hearted approach it takes to the franchise- including characteristics from its history, and current. I have a feeling Marvel is massing something huge. With Samuel L Jackson appearing as Nick Fury at the end of Iron Man, and now Robert Downy Jr. making an appearance as Tony Stark, and S.H.E.I.L.D playing a major role in the tracking of the Hulk. This movie wasn't great unto itself, but I hope it's a precursor of major things to come.

2/5

Saturday, June 21, 2008

Futurama: The Beast with a Billion Backs

This is the second feature length Futurama movie. The follow-up to Bender's Big Score had its moments, but it wasn't nearly as funny as the first one, and far inferior to the show. The biggest problem seems to be that the plot of this one just didn't warrant a full length movie. To make this easier, I'm reviewing the movie on the assumption that you're familiar with the TV show. Though that's not necessary for the movie, it certainly makes it easier since there's very little character exposition.

This time a mysterious rip in time and space has appeared (supposedly a result of Bender's time traveling in the first movie). This opens a porthole into an alternate universe. In a quest to mind a meaningful relationship, the creature of this universe, Yivo (voiced by David Cross), tries to marry himself with each and every member of our universe. Contrary to any sort of conventional wisdom, Fry (voiced by Billy West) becomes the vessel for Yivo. This comes after a rejection from his polygamous girlfriend, Colleen (Brittany Murphy). Meanwhile, Bender (John Di Maggio) continues his long time disillusionment with the second class treatment of robots. In a fairly tacked on side plot he gets initiated into the "League of Robots," who contribute only the bare minimum to the progress of the movie.

The movie wasn't great, but like any television series, not all episodes are the best. This has a more clean division of acts making it easier to split up into episodes than Bender's Big Score, but when put together at once, it comes across as a little choppy. The final act as a whole just wasn't needed. There were some funny moments with perennial favorites like Dr. Zoidberg, and a well planned out continuing conflict between Dr. Farnsworth and his rival Wernstrom. Unfortunately it also featured a lengthy story involving Kiff (Maruice La Marche), an annoying, green alien.

This movie seems like it would be better suited for a TV episode or two- not a full length movie. The limited plot was stretched beyond its breaking point, and lost its entertainment value about half way through. To compensate it included side plots that just didn't mesh with the primary one. Many of the jokes were random and kind of gross- more so than the show. Some of these seemed weird just for the sake of being weird, and were carried on a bit too far. It did feature some rather funny jokes, but it wasn't enough.

2/5

Kung Fu Panda

I definitely think DreamWorks animation is getting better with each successive movie. The Shrek franchise seemed to fizzle after the first one, but now that those movies are behind us (except for 2010's Shrek Goes Fourth) the company can focus on more original movies. Over The Hedge, Bee Movie, and now Kung Fu Panda are hopefully the direction DreamWorks is heading. Though Kung Fu Panda isn't as good as the other two, it still had its unique charm.

Jack Black stars as the portly hero named Po. He's stuck in a job working for his father a noodle stand, but wants nothing more than to learn Kung Fu. High above the valley in which he lives resides the Kung Fu masters Tigress (Angelina Jolie), Monkey (Jackie Chan), Crane (David Cross), Mantis (Seth Rogen), and Snake (Lucy Liu). They are led by Shifu (Dustin Hoffman) and Oogway (Randall Duk Kim). This group is in place to protect the valley, and receive the complete adoration of Po. One fateful day, Oogway decides it is time to name the "Dragon Warrior" (a ultimate warrior of sorts). After an amusing series of mishaps, and to the other Kung Fu masters' chagrin, he bestows this honor on Po. The others try to break him, but of course, Po ends up having to be the savior of the entire valley. He is the only one who is able to fight Tai Lung (Ian McShane) one of Sifu's former students turned evil.

Most importantly, the movie was entertaining. Jack Black is funny in almost everything that he does. And I've heard the term "skadoosh" many places since the movie. His best moments I felt came at the beginning of the movie- where he's at his most dreamy, and most inept. The movie is more violent than I would have expected for a children's movie- but I guess these are different times. The action and fight sequences are pretty stunning, though. There are a lot of them, yet each one is unique, exciting, and downright creative. It's clear they had an actual martial artist choreograph these scenes.

It was an all-star, but confusing cast. The movie so well captured the look of Asian cinema. The lush backgrounds looked like Kabuki paintings, but the cast didn't match it at all. I'm not sure what the reasoning was for including a distinctly American cast (except for Lucy Liu and Jackie Chan). Now Jack Black was forgivable, because his style of clowning was the cornerstone of the whole movie, but Dustin Hoffman, Seth Rogan, and David Cross? I couldn't get past the fact that it was those actors.

The other aspect that bothered me was the inconsistent character development. Over the course of a day Po manges to transform himself from an obese, bumbling, dummy into an obese, bumbling, dummy that is a master at Kung Fu. I realize this was intentional, but I still think it should have been more of an actual transformation instead of a spontaneous change as it was. Likewise, Tai Lung starts out as the ultimate Kung Fu master, yet when he faces Po, he makes what appears to be a continuous series of mistakes. And he seems to be, well, not so tough.

The deep Kung Fu philosophical moments left me scratching my head. "Yesterday is history, tomorrow is a mystery, but today is a gift. That is why it is called the present," as spoken by Oogway seemed contrived even more a movie like this. Clearly they still don't have the more mature market cornered yet, but they're getting closer.

These inconsistencies don't pose much of a problem though. The dialog is mostly funny, and the animation is on par with the likes of Pixar. They still don't quite have the same level of story telling, or as wide an audience appeal. DreamWorks seems stuck in the straight forward comedic childlike appeal, with fairly obvious and cheesy messages. Despite all this, the movie looked really good, and was a lot of fun.

3/5

Friday, June 20, 2008

Stan Winston Article

Here's a really neat article about him that found with memories from a whole slew of directors that worked with him.

http://www.aintitcool.com/node/37109

Monday, June 16, 2008

Stan Winston

1946-2008

One of the greatest VFX artists of all time